Sensing the Sacred: Non-Verbal Performance and the Pluralities of Contemporary Religious Space

This article investigates how site-specific audiovisual performances can reconfigure the contemporary relationship between art and the sacred in contexts characterised by religious plurality and late-modern disenchantment. In response to the erosion of traditional religious language, it examines how non-verbal mediation through sound, moving images and embodied presence can enable alternative ways of engaging with sacred spaces. Drawing on three artistic interventions created within different religious contexts, the article shows that performative memory emerges as a presence-in-absence phenomenon, activated through sensory, spatial and atmospheric engagement. The analysis reveals that religious spaces act as active agents in the process of performative remembrance, generating shared experiences centred on themes of shelter, humility, and fragility. Methodologically, the research takes a practice-as-research approach, informed by an emergent research design. This approach combines site immersion, audiovisual performance and reflexive analysis in order to articulate the knowledge produced through artistic practice. The findings suggest that these performances counter the accelerated temporal regimes characteristic of late-modern life by cultivating slowness, attentiveness, and affective resonance. The article concludes that performative memory functions as a relational practice through which the sacred persists and is reimagined beyond doctrinal representation, fostering inclusive forms of encounter within plural religious environments. In this way, the study contributes to broader sociological and humanistic debates on art, religion, and the transformation of sacred experience in contemporary society.