This philosophical essay explores identity in relation to the inhuman, suggesting reevaluation of traditional frameworks.
The essay examines Algernon Blackwood's *The Wendigo* as a philosophical exploration of the limits of contemporary frameworks for understanding human encounters with the inhuman. It contrasts the traditional notions of the sublime and emerging psychological explanations, demonstrating how both assume the stability of the human subject as the ultimate reference point. The narrative reveals a form of experience that defies these assumptions by illustrating a reorientation of identity beyond human categories, exposing a fundamental conceptual gap. This work underscores the persistent philosophical challenge of conceptualizing encounters with the inhuman that cannot be fully integrated into existing paradigms.
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Daniel Shilansky (2026) studied this question.
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