This article examines the Unité Pédagogique d’Architecture in Toulouse (UPAT) as a paradigmatic example of the palimpsestic architectures that characterize many contemporary university campuses. Conceived in the immediate aftermath of May 1968, the school emerged at a moment when pedagogical reform, political commitment, and architectural experimentation became closely intertwined. These conditions gave rise to a singular spatial organization based on a combinatory grid, intended to give architectural form to a democratic ideal of education grounded in openness, flexibility, and collective agency. The study adopts a historical–critical methodology based on the systematic analysis of primary and secondary sources, complemented by original graphic interpretations. This approach makes it possible to read the UPAT simultaneously as a didactic instrument and as an ideological manifesto, one whose ambitions were inherently marked by internal tensions and contradictions. A diachronic examination of subsequent extensions and transformations reveals how these founding intentions were progressively reinterpreted, constrained, or displaced in response to changing institutional, social, and cultural conditions. Taken as a whole, the evolving trajectory of this “manifesto school” illuminates the ways in which architectural ideals—particularly the pursuit of openness—are negotiated over time, offering a critical perspective on the reciprocal shaping of architecture, pedagogy, and institutional identity within the history of university buildings.
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Guiomar Martín Domínguez (2026) studied this question.
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