Russia’s full-scale invasion of Ukraine has strongly activated academic research on postcolonialism with regard to Eastern Europe, and the available corpus of academic findings has grown considerably in recent years especially on questions of the decolonization of Ukrainian culture. Building on this, the article addresses the question of how to conceptualize an art that emerged more than a hundred years ago on the territory of today’s Ukrainian state and yet has for decades been classified under the label of Russian avant‑garde.
Fabian et al. (Wed,) studied this question.
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