Abstract This article examines how popular musical practices in late nineteenth- and early twentieth-century Prague articulated and shaped Czech nationalist sentiment through intertwined forms of pastoral and urban nostalgia. In a rapidly modernizing city marked by migration, industrialization, and intensifying Czech–German antagonism, pubs, dancehalls and garden restaurants became crucial sites where everyday leisure intersected with the cultural politics of nationalism. These venues, many of which consciously evoked a rural atmosphere through architecture and repertoire, offered urban newcomers a symbolic refuge from the social dislocation of modern life. Here, brass bands and the emergent folk-like genre lidovka , alongside satirical café chantant couplets, became key media through which audiences negotiated the loss of traditional rural worlds and articulated desires for collective belonging.
Daniel et al. (Mon,) studied this question.