This article explores merchant guildhalls' roles in staging performances and worship in Shanxi, suggesting significant cultural influence.
Emerging in the early Ming dynasty 明 (1368–1644), Shanxi 山西 merchants pioneered large-scale regional trade in late imperial China. In the Ming and Qing 清 (1644–1011) dynasties, Shanxi merchants established over 500 merchant guildhalls throughout the country to worship gods, settle business issues, and stage theatrical performances. Many of them enshrined multiple patron gods, with Emperor Guan being the most common. Larger guildhalls usually featured one or more theatre stages. During major events and worship festivals, theatrical performances were staged to entertain guild members and the guilds’ patron god(s). Drawing on stele inscriptions about guild regulations and activities, this article demonstrates that Shanxi merchant guildhalls were religious sites with a commercial orientation. Although not part of the official sacrificial system, these guildhalls played a supplementary role in the worship of Emperor Guan. The flexibility of worship, the grand scale, and frequent performances made Shanxi merchant guildhalls ideal venues for the promotion of folk beliefs.
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Yang Hu (2026) studied this question.
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