This review analyzes how The Breeze explores discovery and belief through autobiographical narrative and allegory.
The Breeze: A Story of Exploration, Art, Love and Faith is, on its surface, a compact literary work: twelve short chapters that alternate between autobiographical memory and speculative allegory, moving from New York streets and hospital corridors to a metaphysical archipelago inhabited by "the dead".However, to read it only as a novel, an aesthetically shaped narrative about adolescence, desire, vocation, and belief, would miss what the book is really doing.The Breeze is also a sustained meditation on the epistemology of discovery.It considers how curiosity survives social conditioning; then, how questions are domesticated by authority; from this, it studies how meaning is assembled from fragments of experience; and finally, why the pursuit of the unknown remains a deeply human compulsion, even when it is inconvenient, inefficient, or even socially disapproved.
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Davies Adeloye (2024) studied this question.
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