Screening the Scars. The Cinematic (In)visibility of Social Trauma. Ed. Andreas Hamburger. Bicester/Oxfordshire: Karnac Books 2025, ISBN 978-1-80013-290–0, 270 S.

Christian Voß

doi:10.1515/slaw-2026-2010

March 11, 2026Zeitschrift für Slawistik

Screening the Scars. The Cinematic (In)visibility of Social Trauma. Ed. Andreas Hamburger. Bicester/Oxfordshire: Karnac Books 2025, ISBN 978-1-80013-290–0, 270 S.

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Key Points

The article explores how cinema portrays social trauma, focusing on visibility and invisibility.
Literary analysis of cinematic works
Discussion of theoretical frameworks
Examination of representation in visual media
Identified patterns in the representation of social trauma in films
Highlighted the tension between visibility and invisibility in cinematic portrayals
Suggested implications for societal perceptions of trauma

Implication

This article analyzes the representation of social trauma in cinema, suggesting its impact on societal understanding.

Abstract

Article Screening the Scars. The Cinematic (In)visibility of Social Trauma. Ed. Andreas Hamburger. Bicester/Oxfordshire: Karnac Books 2025, ISBN 978-1-80013-290–0, 270 S. was published on April 1, 2026 in the journal Zeitschrift für Slawistik (volume 71, issue 1).

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Christian Voß (2026) studied this question.

synapsesocial.com/papers/69cf59315a333a8214609f1f https://doi.org/10.1515/slaw-2026-2010

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Screening the Scars. The Cinematic (In)visibility of Social Trauma. Ed. Andreas Hamburger. Bicester/Oxfordshire: Karnac Books 2025, ISBN 978-1-80013-290–0, 270 S.

Key Points

Implication

Abstract

Discussion

Cite This Study

Screening the Scars. The Cinematic (In)visibility of Social Trauma. Ed. Andreas Hamburger. Bicester/Oxfordshire: Karnac Books 2025, ISBN 978-1-80013-290–0, 270 S.

Key Points

Implication

Abstract

Discussion

Cite This Study

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