I situate Latour’s latest project—An Inquiry into Modes of Existence (AIME)—in the context of late industrialism and query both its conceptual underpinnings and the design of its digital platform. I argue that Latour’s semiotics (and associated conceptions of both networks and ontologies) are functionalist in a way that mimics industrial logic, discounting both the production of hierarchical differentiation within a given system, and the system’s externalizations. The approach thus underestimates the toxicity of its vitalism.
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Kim Fortun (2014) studied this question.
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