This essay considers the production history and reception of three of Ealing Studios' Australian films—The Overlanders, Eureka Stockade, and Bitter Springs—to better understand the films' imperial and colonial underpinnings and to position these "Australian westerns" as examples of a settler colonial mode of cinema.
No takes yet. Share an insight, caveat, or question.
Peter Limbrick (2007) studied this question.
Synapse has enriched one closely related paper. Consider it for comparative context: