This study examines the ritual significance of priestly garment changes during ash removal (Leviticus 6:3-4), arguing this represents ritual transformation rather than practical necessity. Drawing on Mary Douglas’s theory of ritual boundaries and Susanne Langer’s analysis of symbolic forms, it demonstrates how white linen garments and black ashes create meaningful ritual symbolism. Through archaeological evidence, comparative Near Eastern practices, and theoretical approaches to colour symbolism, this study addresses overlooked aspects: the timing of clothing change marks sacrifice completion rather than preparation; the visual contrast between white and black creates “chromatic theology”; and linen’s material properties contribute to ritual efficacy. While modern interpreters view ash removal as practical, this analysis reveals its integral role in completing sacrificial transformation, supported by Mishnaic interpretations and contemporary ritual theory. The findings illuminate how material elements and visual symbolism function in priestly ritual, suggesting garment changes actively create ritual meaning.
Jiseung Choi (Wed,) studied this question.