This essay explores the connection between dew and impermanence in Dickinson's spirituality, suggesting deeper meanings.
In relation to Dao, Chan, and Emerson, this essay examines dew as a central trope to connect Dickinson’s letting go with impermanence, arguing that her spiritual ideals such as rat, jay, robin, pebble, weed, and drunkard tend to cease seeking, concentrate, and forget, a state of no-mind characterized by casualness.
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Yanbin Kang (2023) studied this question.
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