This study examined how lucid dreaming (LD) can be used for fiction writing during an 8-week intervention with 29 writers of varied LD experience. Participants received LD induction training and drew on lucid, non-lucid, and hypnagogic/hypnopompic dreams to produce a short story. Quantitative analysis compared blind ratings of pre- and post-intervention short stories across five creativity domains (plot, character, setting, emotion, symbolism). Although no category showed statistically significant improvement, mean scores increased across all domains. Qualitative analysis revealed two main ways writers used dreams in their work: content-driven approaches, where the actual events, characters, settings, or themes from their dreams provided ideas for starting or developing their stories; and process-driven approaches, where participants adapted their creative process by setting intentions before sleep, exploring ideas while in the liminal state between sleeping and waking, and incorporating dream material into their writing and editing during the day. Writers also described wider benefits, including a greater willingness to experiment with ideas, genres, and styles of writing, trying new creative approaches, and feeling a stronger sense of connection to and confidence in their writing. These findings support previous research linking LD and creativity, and suggest that dreams may provide a unique, internally sourced way to explore symbolic and emotional dimensions in creative expression.
Laura Roklicer (Wed,) studied this question.