This article identifies unique rhythmic structures in Korean drumming, highlighting their musical significance and interconnections.
Jeff Pressing identified a group of seven jazz scale-classes that lack [0, 1, 2] subsets, but any added note would create a [0, 1, 2] subset. This article introduces Pressing rhythms in 12-beat cycles, which lack three consecutive onsets, but to which an added onset would create a three-onset run. The seven Pressing rhythm classes are prominent in p’ungmul , a genre of South Korean ensemble drumming that has been extensively researched by Nathan Hesselink. Juxtaposition of Pressing rhythms exploits the close parallelisms between them, with incremental one-onset changes akin to parsimonious voice leading between scales or chords.
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Richard Cohn (2025) studied this question.
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