This collection of essays explores themes in African American theatre, highlighting impacts on civil rights and self-determination.
This book is a collection of essays on African American theatre artists, public figures, and activists from the civil rights movement of the 1940s–1960s. The work of these artists and activists contain assertions of Black self-determination and self-defense, prefiguring some of the aims and ideologies of the Black power era.
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Macelle Mahala (2026) studied this question.
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