This article examines The Mark of Cassandra by Chingiz Aitmatov through the emerging framework of Blue Humanities. While most prior studies have approached Aitmatov’s ecological concerns from a land-based ecocritical perspective, this article shifts the focus to his engagement with oceanic themes and marine environments. By combining literary interpretation with ecological philosophy, the study suggests that The Mark of Cassandra goes beyond the limits of traditional environmental fiction. It presents the ocean not only as a setting but as a source of knowledge and ethical reflection. In this way, Aitmatov’s work seems to anticipate current global discussions on climate change, biodiversity loss, and environmental justice. The novel encourages readers to reconsider the human-centered worldview and adopt a more ecocentric approach. Through its marine symbolism and critical stance on human exploitation of nature, the text offers valuable insights into ecological ethics that cross both national and species boundaries. Overall, this article argues that The Mark of Cassandra is an important literary contribution that challenges the usual borders of ecocriticism and calls for a more integrated and holistic understanding of environmental issues.
Gülsüm Tuğçe Çetin (Fri,) studied this question.