What question did this study set out to answer?

This collection aims to engage readers through poems that explore themes of memory, media, and embodiment.

May 1, 20260 citationsOpen Access

Screenrooms and Silver Bullets — Poems by Rhys Owens (11.NH2.RHYS.01)

Key Points

This collection aims to engage readers through poems that explore themes of memory, media, and embodiment.
Composed 14 poems, with a primary focus on the concept of 'screenroom'
Utilized symbols and characters to enhance affect literacy
Published under New Human 2 in April 2026
Introduced the concept of 'screenroom' as a layered perceptual experience
Developed multiple themes including politics, religion, and identity
Combined analog horror elements with poetic forms

Abstract

Screenrooms and Silver Bullets is a collection of 14 poems by Rhys Owens, composed April 2026 (with one earlier poem dated 2013). Published under the New Human 2 venue of the Crimson Hexagonal Archive. The collection includes: Oppositorum of a Contemporary Nancy Drew, Ideological Harassment, High School Politics, Spirit is Nothing that Is, Ganesa, Ludicia, King Because, Marriage and Religion Trauma is Identical, Cloud Storm, the Ghosts Sections suite (Lock Door Get Key / The Guardian Tries Veils / Machine / Confirmation Character), Young Bloodwires, Matter-Printed Book of Dead Memes, and Killing the Self-Conscious Dream (2013). Rhys Owens is a practitioner of affect literacy operating from the Lunar Arm / PsycheOS position within Cambridge Schizoanalytica. His work uses symbols, characters, and embodied play to regulate the nervous system without belief, doctrine, or identity capture. The Ghosts Sections suite develops the "screenroom" — a construct layering memory, media, and embodiment into a single perceptual chamber — as analog horror rendered through poetry. Hex: 11. NH2. RHYS. 01 · Venue: New Human 2 · License: Hexagonal Contributor License v3. 0 (DOI: 10. 5281/zenodo. 19673630) ∮ = 1

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