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May 2, 2026Departures in Critical Qualitative Research0 citations

“We Worship All Sizes and All Shapes That Are Brown and Black!”

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VTVictoria Thomas

Key Points

  • The aim is to explore the role of community among Black queer individuals through personal experiences at a burlesque revue.
  • Utilized transformative justice as an analytic framework
  • Employed black feminist autoethnography to interpret experiences
  • Examined the structure and performances of Shuga Shaq shows
  • Identified joy and self-love as political messages in performances
  • Highlighted kinship formation between performers and audiences
  • Showed the celebration of diverse Black and Brown bodies in a predominantly white context

Abstract

Community is central to the praxis of transformative justice as communities provide social, mental, and financial support. This article utilizes transformative justice as an analytic to examine my experiences in community with Black queer folks at Shuga Shaq: An All People of Color Burlesque Revue. I utilize Black feminist autoethnography to interpret and historicize my experiences in community among Black queer folks in a predominantly white U.S. city. I examine the structure of a typical Shuga Shaq show, concentrating on the hosts, cohosts, performances by burlesque dancers, and kinship formation with audience members. The political and cultural messages embedded in performances on and off stage constitute joy, self-love, and a celebration of Brown and Black bodies of all shapes and sizes.

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Cite This Study

Victoria Thomas (2026) studied this question.

synapsesocial.com/papers/69f5945c71405d493afff38dhttps://doi.org/10.1525/dcqr.2026.15.1.32
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Also Consider

Synapse has enriched 5 closely related papers on similar clinical questions. Consider them for comparative context:

  1. 1“Not Your Average Fashion Show:” Rethinking Black Queer Women’s Activism in Queer Fashion Shows2025
  2. 2Black Mothering Communities as Homeplaces for Black LGBTQ+ Youth2024
  3. 3'Without community: there is no liberation': on #BlackGirlMagic and the rise of black women-centred collectives in South Africa2026
  4. 4“Oh, You’ve Come to Visit the Yard?”: Phenotypic Capital, Intragroup Marginalization, and the Gated Sanctuary in Black LGBTQ+ Communities2026 · 1 citations
  5. 5Taking Over and Taking Up Space: Black Queer and Trans Joy in Travis Alabanza’s <i>Sound of the Underground</i> and Temi Wilkey’s <i>Main Character Energy</i>2026