In this text, we propose an analysis of the “Oficina Escobar” project implemented since 2020, in the Missões Region - inland Rio Grande do Sul - based on theoretical references related to new institutionalities (CANCLINI, 2023) and, considering the activities developed in its work process, as a possible experience of institutional criticism (FRASER, 2020), highlighting mainly its implications in relation to collaborative practices (SCHOLETTE, BULHÕES, 2022) and the activities developed outside the scope of the centrality of the established art system.
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Bulhões et al. (2026) studied this question.
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