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May 3, 20260 citationsOpen Access

Cooking the self: Lévi-Strauss's culinary triangle in Chitra Banerjee Divakaruni's The Mistress of Spices

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SNShobia Paul Adhisaya NathanPCPreetha Chandrahasan

Key Points

  • The aim is to examine how food, particularly spices, influences identity and cultural evolution in The Mistress of Spices.
  • Employs Lévi-Strauss’s Culinary Triangle Theory to categorize food as raw, cooked, and rotten.
  • Analyzes the significance of spices as symbols of identity and memory in the novel.
  • Explores the transformational role of food in the protagonist's journey.
  • Food serves as a critical link for identity and cultural memory in the narrative.
  • The progression from raw to cooked reflects Tilottama's personal and cultural evolution.
  • Spices are shown to provide emotional fulfillment and profound impact on characters' lives.

Abstract

Food is a basic requirement for all living beings in the world. It is considered a significant factor in leading a life. Some people have food to satisfy their stomachs, while others have food to achieve their goals. Lévi-Strauss writes about food from different angles. This study employs Claude Lévi-Strauss’s Culinary Triangle Theory, which differentiates between the raw, cooked, and rotten as symbolic categories within a cultural system, to analyse Chitra Banerjee Divakaruni’s novel, The Mistress of Spices (1997). In addition to providing sustenance, the novel’s spices serve as a bridge for identity, memory and cultural transformation. The novel demonstrates how food significantly impacts people’s lives, profoundly changing them and providing a sense of emotional fulfilment. This research paper provides insights into the influence of food on Tilottama’s cultural evolution, from its natural state through the stages of raw, cooked, and rotten.

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Cite This Study

Nathan et al. (2026) studied this question.

synapsesocial.com/papers/69f6e60f8071d4f1bdfc6a08https://doi.org/10.5281/zenodo.19950225
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