Key points are not available for this paper at this time.
This essay was first published as “Figures of Memory in the Course of Time” in the exhibition catalog edited by Stephanie Barron and Sabine Eckmann, Art of Two Germanys: Cold War Cultures (New York: Abrams in association with the Los Angeles County Museum of Art LACMA, 2009), 224–39. It is reprinted here with the permission of LACMA. The artworks mentioned in the essay are easily accessible in the catalog.
Andreas Huyssen (Fri,) studied this question.