Research investigates perception's emergence from material organisation, highlighting biological precedents and innovative sculptural designs.
This research investigates whether perception can emerge from material organisation rather than being installed into it. Two biological precedents structure the inquiry. The first is the trilobite eye, in which calcite crystallized into precisely oriented optical lenses as photoreceptor cells differentiated directly behind each one: mineral optics and sensing tissue growing as a single system through biomineralization, 520 million years ago. No animal has done this since. The second is the tardigrade, whose sensory architecture survives almost complete desiccation in a glass-like suspended state — driven by intrinsically disordered proteins that become structurally protective through their instability — and later reactivates intact. From this proposition, two research lines develop. Náttura develops mineral and glass sculptural systems in which sensing is co-developed with material structure from formation rather than attached afterward. BioViscous develops speculative bio-mineral membranes inspired by the sensorial ecology of bees, whose perceptual systems are being systematically disrupted by environmental toxicity. A third register, the vitrified form, draws on tardigrade anhydrobiosis to investigate whether organic membrane systems can carry perceptual architecture through desiccation. The Failure Archive — a continuously published record of unsuccessful experiments — operates as both documentation and method.
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Andrea Abbatangelo (2026) studied this question.
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