Article examines linguistic markers of the superfluous man type in 19th-century literature, suggesting modern implications.
The article examines the linguistic analysis of the "superfluous man" type in 19th-century Russian literature and its transformation within modern artistic discourse. The author considers this phenomenon not only as a socio-psychological phenomenon but also as a special linguistic model of the individual, manifesting through a stable system of lexical-semantic and syntactic markers.
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Dilnoza Boltayeva (2026) studied this question.
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