Analysis reveals ethical significance and perceptual depth in McGregor's narrative style, indicating overlooked value.
Jon McGregor’s if nobody speaks of remarkable things has been criticized for privileging style over substance ([Battersby][1]). Yet such a reading risks overlooking the profound ethical and perceptual work embedded in its formal innovations. It is in the texture of the novel itself—from the
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Fatmah Al Thobaiti (2026) studied this question.
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