Abstract Using the framework of Rita Felski in her 2015 book The Limits of Critique , this essay offers a postcritical analysis of William Carlos Williams’ 1915 poem “The Young Housewife.” Its intention is to show how Williams’ poem or any poem can be approached through a variety of critical lenses, but that these may get in the way of more immediate, rewarding ways of reading. Shel Silverstein's well‐known 1964 short book The Giving Tree is similar at the level of “plot” to “The Young Housewife.” Taken in tandem, these two texts neatly exemplify the value of postcritical/non‐resistant reading.
Sue Norton (Thu,) studied this question.