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May 17, 2026Advances in Complex Systems0 citations

Mapping Cognitive Archetypes in Songwriting: A Complex Network Analysis of Structural Entropy and Burstiness in Heavy Metal Lyrics

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MRMauricio A. [UNESP] RibeiroUniversidade Tecnológica Federal do ParanáLSLucas Farias ShiniegoskiUniversidade Estadual de Ponta Grossa

Key Points

  • This research aims to quantitatively analyze heavy metal song lyrics to identify cognitive archetypes of composers based on compositional strategies.
  • Analyzed over 9,500 lyrics from 100 heavy metal bands using complex network analysis.
  • Employed metrics of structural entropy to assess word connections and temporal burstiness to evaluate topic repetition.
  • Characterized authors into distinct cognitive archetypes based on their positioning within a defined phase space.
  • Authors categorized as Hit Maker (low S, high B) and Complex Poet (high S, high B).
  • Demonstrated that stylistic diversity arises from cognitive strategies, not violations of linguistic norms.
  • Established a quantitative framework that bridges neuroscience and stylometry.

Abstract

This work introduces a quantitative methodology, rooted in Complex Systems Science, to map the Cognitive Fingerprint of composers through the analysis of song lyrics. By modeling lyrics as weighted co-occurrence networks, we complement traditional literary analysis by providing a quantitative framework to characterize the architectural and temporal strategies of composition. We employ two main metrics: Structural Entropy (S), which quantifies the logical architecture of word connections (distinguishing between highly organized and random structures), and Temporal Burstiness (B), which measures topical obsession and strategic repetition of central concepts versus linear narrative progression. The intersection of these metrics defines a two-dimensional Phase Space (S×B). Analyzing a corpus of 100 heavy metal bands (over 9,500 lyrics), we demonstrate that this space objectively categorizes authors into distinct cognitive archetypes, such as the Hit Maker (low S, high B) and the Complex Poet (high S, high B). Our findings reveal that stylistic diversity in composition is not due to the breaking of linguistic rules, but rather to the occupation of specific thermodynamic niches within a phase space permitted by human cognition, providing a rigorous basis for neuroscience and stylometry.

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Cite This Study

Ribeiro et al. (2026) studied this question.

synapsesocial.com/papers/6a095c6d7880e6d24efe292dhttps://doi.org/10.1142/s0219525926400035
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