Moisés Kaufman's hit play Gross Indecency: The Three Trials of Oscar Wilde re-presents Wilde's most theatrical spectacle for modern-day audiences. This documentary drama, like Kaufman's more recent Laramie Project, arranges research materials into staged exhibition. Concern for sound representational practices led Kaufman to struggle, as he relates, for a method that would do justice to his subject: "[H]ow," he asked himself, "can theatre reconstruct history?"
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S. I. Salamensky (2002) studied this question.
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