This article discusses new developments in the field of literary theory and literary praxis in the era of new media from the perspectives of media theory and interology. It takes new media as a McLuhanesque formal cause and holds that a conspicuous characteristic of literary works in the era of new media lies in the salience and normalization of interality. This development means art forms like mosaic and Pointillism have acquired a paradigmatic significance as a result. In revealing this new paradigm, the article also points to some current social maladies that have come with new media. It holds that literary writing should go beyond the mere embodiment of symptoms and make an intervention in media-induced maladies. The article affirms the irreplaceability of experimental literature and serious literature in an era of attention deficit, and points out that form should occupy a paramount position in literary theory, literary criticism, and literary praxis.
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Peter Zhang (2023) studied this question.
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