This paper contributes to the debate about the creative (re)turn to geography through the lens of poetry. In considering the potentialities and limitations of geopoetics, I explore three issues in particular: evaluation of the poetic creative moment; poetry as a means of expressing an embodied, affective geopolitics; and the limitations involved in this particular creative move as a means of empathetic, passionate storytelling. The paper highlights the ambivalences and complexities of using poetry as a creative literary form of geographical world‐writing.
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Clare Madge (2014) studied this question.
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