A Study on Satirical and Humorous Expressions in Ceramic Art within Contemporary Art - focusing on the mid-20th century and the early 21st century -

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Key Points

The research aims to analyze how satirical and humorous expressions in contemporary ceramic art extend beyond personal critique to convey social messages and performative aspects.
Examined the transition of satire and humor in ceramic art since the 1960s and 1970s with a focus on Funk Art.
Compared artists like Simone Leigh and Grayson Perry to explore their use of ceramics as a medium for social commentary.
Analyzed the interaction between ceramic forms and societal themes like gender, race, and power.
Found that post-20th century ceramic art evolved into an independent medium in contemporary art, utilizing structural qualities for social commentary.
Demonstrated that humor and satire have become tools for social performance, visualizing social memory and power issues.
Confirmed that modern ceramic art serves as a pivotal medium for social expression within contemporary art discourse.

Analyzes how satire and humor in ceramic art evolve into social critiques, suggesting broader implications for contemporary art.

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Mun et al. (2026) studied this question.

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