Answers are grounded in this paper and cite their sources.
Considering that many students do not let their imaginative potential fully develop during their formation years we will demonstrate in this paper that Intonasiya/Musical Image paired with Musical Hermeneutics may be an interesting alternative for a creative approach in piano teaching. To achieve that we’ll plunge into the 19th century debate about the possibility of music to be able to represent, to have meaning, discuss the concepts of Intonasiya/Musical Image and Hermeneutical Windows and last but not least, advocate that these tools can be useful for Piano and music instruction stimulating creativity
No takes yet. Share an insight, caveat, or question.
Ernesto Hartmann (2019) studied this question.
Synapse has enriched 10 related papers. Consider them for comparative context: