The Israeli‐Palestinian conflict has frequently been the focus of Western‐produced documentary films, which seek to explain the core of the problem. Claims to a truthful representation of reality have traditionally been linked to a parallel assumption of ethnographic authority over Palestinians who, unlike Israelis, had until recently little access to filmic means of representation. Through a number of documentaries, produced by both Palestinians and non‐Palestinians, the paper analyzes the crucial impact of the Intifadah on the development of local media in the Occupied Territories. The paper argues that by taking up film and ethnographic techniques as they had been developed in the West, documentaries produced by Palestinians have successfully generated alternative views of the conflict.
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Livia Alexander (1998) studied this question.