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The problems of the development of national cultures, the enrichment of their artistic fund and interaction with other nations are among the most urgent at the present time. In this light, it is natural that the great attention that modern art criticism shows to the study of the formation and development of young art schools, the formation of which took place in the course of the most important historical and cultural transformations of the 20th century. These questions become more relevant if we take into account that until now the development of national cultures of the Central Asian region still needs analytical study and theoretical generalizations based on updated scientific views. Of particular interest in this regard is the professional visual arts of the Kyrgyz people as an integral historical and artistic phenomenon that has undergone an accelerated evolution from the beginning of the 20th century to the period of Kyrgyzstan's independence.
B. D. Budaychiyev (Fri,) studied this question.