This paper rethinks the concept of voice in ways that resist normative humanist assumptions and explores the possibilities of an alternative posthuman ontologics of voice for qualitative praxis. I sketch the contours of a feminist posthuman phenomenology of voice in which the embodied, material, relational, and transcorporeal qualities of breathy bodies are foregrounded. Thinking with the figurations of ‘breathy embodiment’ and ‘diffractive voices’, I introduce posthuman voice analytics as a form of qualitative praxis. Five central aspects of posthuman voice analytics are outlined, namely: multivocality, process, interruption, dialogicality and the situated politics of listening.
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Rachelle Chadwick (2020) studied this question.
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