This article explores and identifies an organized and collective type of(inter)religious movement, that evolves around coexistence and interreligious relations,expressing themselves through aesthetics, dialogue, motorcycles and/ormusic. It seeks to explore the concept religious coexistence, based on empiricalstudies of groups in Copenhagen that work with interreligious activities, dialogueand relations – Goldschmidts Musikakademi, Islamisk-Kristent Studiecenter andMuJu & Co. MC Danmark. I argue that these groups are examples of a type of interreligiouslived religion drawing on theoretical perspectives from Meredith B.McGuire, Brian A. Jacobsen and Nancy T. Ammerman. Second, I find that thegroups have similar understandings of religious coexistence as a form of knowledge.However, they differ in their methods of achieving it, using respectively verbaland non-verbal communication strategies, which I explain drawing on SaraAhmed’s affect theoretical framework.
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Alma Munk Kronik (2025) studied this question.
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