“Tones from out of Nowhere”: Rudolph Pfenninger and the Archaeology of Synthetic Sound

July 01 2003 “Tones from out of Nowhere”: Rudolph Pfenninger and the Archaeology of Synthetic Sound Thomas Y. Levin Thomas Y. Levin Search for other works by this author on: This Site Google Scholar Author and Article Information Thomas Y. Levin Online ISSN: 1536-0105 Print ISSN: 1526-3819 © 2003 Grey Room, Inc. and Massachusetts Institute of Technology2003 Grey Room (2003) (12): 32–79. https://doi.org/10.1162/152638103322446460 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn Email Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Thomas Y. Levin; “Tones from out of Nowhere”: Rudolph Pfenninger and the Archaeology of Synthetic Sound. Grey Room 2003; (12): 32–79. doi: https://doi.org/10.1162/152638103322446460 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsGrey Room Search Advanced Search This content is only available as a PDF.