‘Against the tide’: placing visual art in the Highlands and Islands, Scotland

Within a political context where Gaelic arts are recognised as integral to the configuration of a new Scotland, this paper focuses on the art and artistic practice of a community arts centre in North Uist, Outer Hebrides, and the art of internationally acclaimed Scots artist, Will Maclean, who has worked with this centre, with initiatives to commemorate the land struggle on the Isle of Lewis, and with Gaelic arts. Drawing, at the conceptual level, on ‘the idea of place as a political project’ (Gibson-Graham 2003 Gibson-Graham, J.K. 2003. An Ethics of the Local. Rethinking Marxism, 15(1): 53–78. [Google Scholar]: 35) and a narrative of resistance that suggests a differential rather than oppositional optic (Braun 2002 Braun, B. 2002. The Intemperate Rainforest. Nature, Culture, and Power on Canada's West Coast, Minneapolis and London: University of Minnesota Press. [Google Scholar]), I examine how art and artistic practice contribute to an aesthetics that works ‘against the tide’ and how, as part of this process, place is re-constituted.