Music has long been recognized as a powerful agent of healing, bridging the somatic, psychological, and spiritual dimensions of human experience. This paper explores the multifaceted role of music within the therapeutic encounter, drawing on clinical, neuroscientific, and mystical perspectives. Integrating insights from Ungar-Sargon’s healing essays, contemporary studies on music and the brain, and Kabbalistic notions of the sefirot and divine harmony, this study argues that music occupies a unique space within the therapeutic encounter—one that both transcends and grounds language. Music’s affective power, its rhythmic entrainment with the body, and its capacity to resonate with unconscious material enable it to become an agent of healing and transformation. Through examination of neurobiological mechanisms, mystical frameworks, and clinical applications, this paper demonstrated that music therapy represents not merely an adjunctive treatment modality, but a fundamental pathway to healing that addresses the whole person—body, psyche, and spirit.
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Julian Ungar-Sargon (2024) studied this question.
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