Dostoevsky and the Novel-Tragedy: Genre and Modernity in Ivanov, Pumpyansky, and Bakhtin

The early-twentieth-century Russian debate on the place of tragedy in Dostoevsky's novels included interventions by the leading figure of the symbolist movement in Russia, Vyacheslav Ivanov; by the philosophically minded literary historian Lev Pumpyansky; and by the author of the most formidable analysis of Dostoevsky's poetics to date, Mikhail Bakhtin. From the perspective of a certain widespread vision of modernity, the project of thinking the modern novel and tragedy together is paradoxical. It is thus noteworthy that such a project seemed urgent to major Russian intellectuals in the 1910s and 1920s and that it frequently relied on the articulation of an implicitly exceptionalist narrative about Russian modernity and its proper forms. Additionally, staging the three-way debate among Ivanov, Pumpyansky, and Bakhtin allows us to see that Bakhtin's reading of Dostoevsky as a modern novelist par excellence is conceptually tied to the largely occluded theory of the tragic.