Tracking the Triple Form of Difference: Deleuze's Bergsonism and the Asymmetrical Synthesis of the Sensible

This paper will explore the notions of intensity, the virtual/actual and different/ciation in Gilles Deleuze's work. It will focus in particular on excavating the Bergsonian dimension of these terms in Deleuze's philosophy and their relations to one another. While much has been written on the role of Bergson in shaping Deleuze's virtual/actual philosophy, far less attention has been paid to the way in which Deleuze's thoughts on intensity and the movements of different/ciation are also developed out of his reading of Bergson. To address this I will explicate the ‘triple form of difference’ that Deleuze locates in Bergson, which includes renditions of intensity and the process of differentiation, after which I will map the movements from this early Bergsonian work to Deleuze's mature position on the matter, as it is found in the final chapter of Difference and Repetition.