This article examines the politics and explanatory plausibility of performative accounts of state action through a critical analysis of the themes of continuity and change in the work of David Campbell. As political interventions, performative models reproduce a number of taken-for-granted conceptual distinctions. As explanations, performative models are undermined by an account of the social that privileges representation. Drawing on materialist feminist critiques of performativity, I argue for the necessity of locating accounts of subject formation and state action in the multiple logics that constitute the social.
No takes yet. Share an insight, caveat, or question.
Mark Laffey (2000) studied this question.
Synapse has enriched 5 related papers. Consider them for comparative context: