The Large-Scale Formal Role of the Solo Entry Theme in the Eighteenth-Century Concerto

Research Article| October 01 2000 The Large-Scale Formal Role of the Solo Entry Theme in the Eighteenth-Century Concerto Joel Galand Joel Galand Search for other works by this author on: This Site Google Journal of Music Theory (2000) 44 (2): 381–450. https://doi.org/10.2307/3090682 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Citation Joel Galand; The Large-Scale Formal Role of the Solo Entry Theme in the Eighteenth-Century Concerto. Journal of Music Theory 1 October 2000; 44 (2): 381–450. doi: https://doi.org/10.2307/3090682 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search Books & JournalsAll JournalsJournal of Music Theory Search Advanced Search The text of this article is only available as a PDF. 2000 © Yale University, New Haven, Connecticut 065202000 Article PDF first page preview Close Modal You do not currently have access to this content.