This article examines ethical design through innovative use of waste materials in fashion, indicating substantial cultural impact.
This article examines the intersection of sustainable craftsmanship and digital subcultures through the practice-based research of designer and creative director Xijia Cheng. Serving as a primary case study for contemporary ethical design, Cheng’s work demonstrates a novel methodology for transforming electronic waste and textile scraps into high-fashion sculptural garments through the integration of 3D digital patternmaking and zero-waste techniques.
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Elizaveta Akimova (2026) studied this question.
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