In 2009, the Canadian government announced its decision to close six federal prison farms. Although the programme only impacted about 300 prisoners, the decision sparked the creation of a social movement dedicated to fighting to keep the farms operational, and the closures became a sizeable news story in Canada. We argue that actors on both sides of the farm closure issue used it as fuel for staging and capitalizing on a <it>political penal drama</it>. Our findings suggest conservatives do not have a monopoly over using penal dramas to achieve political and social aims and that penal dramas can be extremely <it>productive—</it>well beyond debates over prisoners and prisons. Thus, penal dramas help us capture the nuanced orientation of a particular penal field, which cannot be understood apart from its cast of interested actors or the national, state/provincial or local contexts in which it is embedded.
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Goodman et al. (2015) studied this question.
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