Asian Perspectives and Ritual Politics in Recent Popular Film and Television

Asian film displays a range of perspectives on ritual and political issues of contest and contestation. Using modified snowball and purposive sampling, film and some television is selected for the presence of ritual politics, political theater, and important Asian cultural, religious, and/or political perspectives. Some perspectives identified are localized, regional, or may have resonance (not representativeness) in many parts of Asia from Kazakhstan, Nepal, India, and eastward; a few preliminary observations are offered in this regard. The current work is an effort in cultural de-coding, and perhaps cultural translation, using qualitative content analysis, coding, and comparative historical–institutional analysis at the intersection of culture and politics. The argument is methodological (qualitative), encouraging political scientists and others with interests in cross-national, comparative, and international religion and politics to delve into thick description using international, foreign-language film as a (relatively unmined) source of cultural data and cultural, values-oriented, and political messaging. Ritual politics is treated herein as formal or informal ritual involving symbolic activities occurring in a religious, semi-religious, or secular context that is used for political purposes, in a political context, or to effect a political message. The current work is preliminary and is part of a larger project; it provides a preliminary spreadsheet of 24 out of over 100 canvassed films seeking to combine conceptual variables with binary coding.