Cinemagoing as a sociocultural experience and the cinema theatre as a setting where that experience takes place are naturally linked to a certain notion of space. In fact, cinemagoing is a practice in which space is not only conceived and perceived but is also constructed; space and place are social constructs, always mediated by people’s experience and sociocultural processes. Likewise, the space of the cinema theatre is not a given but is continuously produced, reconstructed and reconfigured by audiences. This article analyses the dialectic relations between the notions of space and place and the experience of cinemagoing as a spatialised social practice and a cultural experience; it also investigates the cinema theatre as a physical, symbolic and mental setting. Overall, the article offers a theoretical reflection on the multiple notions of space in relation to cinemagoing
No takes yet. Share an insight, caveat, or question.
Elisa Ravazzoli (2016) studied this question.
Synapse has enriched one closely related paper. Consider it for comparative context: