The fortepiano had a rough beginning. In 1709 it entered a world that was not quite ready for it; a world that was very comfortable with the earlier keyboard instruments, especially the harpsichord. Pianists and composers were used to the harpsichord technique and style, which is drastically different from the piano. This is because the harpsichord was actually a very different instrument than the piano, as is explained in this paper. This paper traces the history of the piano's rise to dominance over the harpsichord, and how its unique hammer action began creating an idiomatic piano style. The piano also revolutionized keyboard repertoire, taking some genrs from the harpsichord and also creating completely new genres of compositions. Despite its slow start in the early eighteenth century, the piano completely revolutionized the musical world into which it was born. The rise of the fortepiano throughout the late eighteenth and nineteenth centuries transformed traditional keyboard technique, style and compositions.
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Rachel Lowrance (2014) studied this question.
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