The archaeological uncanny

In this paper I argue that members of the public are simultaneously attracted to and alienated by the uncannyin archaeology. I examine the role of popular culture representations of archaeology in these conflicting but connected processes, and strategies for overcoming them. By exploring Freud's notion of the unheimlich, or uncanny, in relation to archaeology and autopsies, I argue that it is mediated by popular culture, which alienates the public from the actual uncanny practices. By considering the relationship between archaeologists and the public as a discourse between actors and their audience, I examine ways in which this alienation can be overcome. My aim is to offer a better understanding of the complex ways in which people engage with archaeology.