Acknowledgments Introduction Claims to Global Culture: America Abroad Du Bois's Color and Democracy and the Color Line The Public face of the Third-World Writer States of Theory and the Absence of States The Contradictions of Binary Thinking: Cosmopolitanism and Method Nizan Fights the Watchdogs: The Obvious Must Be Explained Cultural Studies and Colonial Progress Anna Deveare Smith, or Authenticity without Apologoes The Culture of the Transnational Corporation If the Nation Is Dead, Why Doesn't Henry Kissinger Know It? George Orwell as Julia Kristeva: The 1950s in the 1990s Mangerial Training Manuals: What Is National in the Transnational Gatt Poetics and the Traveling Critic: Cosmopolitanism and the Explorer's Eye The Sublimation of Poverty: New York's Lower East Side Marcos and Cortazar: Two Alternatives to Contemporary Travel Narrative The Literary in the Light of the Nobel Prize: Morrison and Walcott A Few Thoughts on What the Postcolonial Leaves Out Cosmopolitanism's American Base: C. L. R. James in New York, 1950 Socialist Desire: Ernst Bloch in America Cosmopolitanism, America, and the Cold War The Struggle for Happiness-Winning in Desperate Times by Loving What Is James's Art Exceptional Americanism and the U.S. Mass Culture Debate The World Cuban: Alejo Carpentier and Cuban Popular Music From Paris to Havana Ethnographic Surrealism: The Red and the Black Salsa and the Cuban Image Reading Mass Culture through Youth The Indigenous and the In-Between Conclusion Notes Index
No takes yet. Share an insight, caveat, or question.
Gross et al. (1999) studied this question.