The improper event: on Jacques Rancière's mannerism

In this essay I examine certain conceptual resources available in the work of Jacques Rancière for those interested in attending to the aesthetic and political complexities of democratic citizenship. I argue that the best way to broach these resources is to consider Rancière's manner of impropriety regarding the forces of unity and disunity that comprise democracy's insurgence, as well as his account of the phenomenality of democratic life and the conditions that make political subjects visible, audible and perceptual. This involves a sustained critique of the proper and the sensible as criteria for political inclusion. Democracy is thus not an institutional form of government but an event of appearance that arises out of the dissonant blur of the everyday. Rancière's insights into the insensibility of democracy's emergence, I conclude, complicate the constitutionalist solution to citizenship by raising the question of equality and emancipation as a question of how to relate to the impropriety of democratic citizenship.